Bingo Loco – LATE SHOW
Due to popular demand, BINGO LOCO is BACK with two shows in ONE night!! Want double the chance at prizes? Don’t forget to purchase a ticket to the Early Show! THIS EVENT IS 21+
Steve Earle – Solo & Acoustic
Steve Earle is one of the most acclaimed singer-songwriters of his generation. A protege of legendary songwriters Townes Van Zandt and Guy Clark, he quickly became a master storyteller in his own right, with his songs being recorded by Johnny Cash, Waylon Jennings, Joan Baez, Emmylou Harris, The Pretenders, and countless others. 1986 saw the release of his record, Guitar Town, which shot to number one on the country charts and is now regarded as a classic of the Americana genre. Most recently, Earle’s 1988 hit Copperhead Road was made an official state song of Tennessee in 2023. Subsequent releases like The Revolution Starts…Now (2004), Washington Square Serenade (2007), and TOWNES (2009) received consecutive GRAMMY® Awards. Jerry Jeff, released in 2022, consisted of Earle’s versions of songs written by Jerry Jeff Walker, one of his mentors. Earle has published both a novel I’ll Never Get Out of This World Alive (Houghton Mifflin Harcourt 2011) and Dog House Roses, a collection of short stories (Houghton Mifflin 2003). Earle produced albums for other artists such as Joan Baez (Day After Tomorrow) and Lucinda Williams (Car Wheels on A Gravel Road) As an actor, Earle has appeared in several films and had recurring roles in the HBO series The Wire and Tremé. In 2009, Earle appeared in the off-Broadway play Samara, for which he also wrote a score that The New York Times described as “exquisitely subliminal.” Earle wrote music for and appeared in Coal Country, for which he was nominated for a Drama Desk Award. Earle is the host of the weekly show Hard Core Troubadour on Sirius Radio’s Outlaw Country channel. In 2020, Earle was inducted into the Nashville Songwriters Hall of Fame. And in 2023, Steve was honored by the Bruce Springsteen Archives & Center for American Music. Steve’s latest album, “Alone Again (Live)”, released on July 12th, 2024.
Franz Ferdinand
Ever since their beginnings, throwing illegal parties in condemned Glasgow buildings, Franz Ferdinand have been defined by a fresh, unfading, forward-facing outlook. A transgressive art-school perspective, but with a love of a big song. A big riff. A big idea. Somewhat contrary. Unafraid to dance. Unafraid to think. Unafraid to fear. Their sixth studio album, The Human Fear, courses with an energy that makes you feel very much alive. Fear makes you feel alive. Awake. A life without fear is a life asleep. Fear is what shows us our humanity. It’s why we search for it in horror films or extreme physical activities. The most life-defining moments are shaped by fear: acknowledging, accepting, or overcoming it. All the good stuff is inseparable from fear. Commencing a relationship. The necessary vulnerability. Ending a relationship. Leaving an institution. Getting on that stage. To overcome fear, whether it’s fear of commitment, leaving an institution, or of isolation… What a buzz. What a reward. While writing these new songs — many of which, beneath the immediacy of their choruses and melodies, allude to some fairly deep-set human fears — Franz Ferdinand released Hits To The Head, a retrospective of the previous 18 years. It sharpened the band’s perspective, allowing them to understand the essence of what made them work, while liberating them from the past. When you know who you are and are comfortable with it, you are free to go somewhere new. At this point in their career, Franz Ferdinand definitely know who they are, and are relishing the vigour that comes with accepting that. There was a lot of writing before any recording. Then editing and arranging. For a swan to glide serenely, the feet have to kick like a motherfucker below the surface. The idea was to have a songbook before anything was recorded. No jamming. Texture, sonics and studio innovation are fine and thrilling, but superficial indulgence without good, solid songs. Then the execution as rapidly as possible at AYR Studios, fuelled by the same agility that defined the songs on Hits To The Head. Few takes. The band in the room, playing together. That indescribable thing that happens when they do. The thrill of recording “The Birds” — one of the first songs they recorded — or thrashing out “The Doctor”’s deliriously energetic riff in about six minutes flat. Many of the vocals are the live takes, and those that aren’t were recorded under piles of coats, pillows and blankets in various bedrooms and cupboards across Paris, London, and Glasgow. At the heart of Franz Ferdinand is the relationship between Alex Kapranos and bassist Bob Hardy. They formed the band while working in a kitchen together, initially as an idea, then dredging Glasgow for accomplices. It is still the ideas which excite them before any of the music is made. Julian Corrie’s presence as a collaborator is also strong on this record. Fingers faster than an arpeggiator. Then there’s the dirt and attitude of Dino Bardot’s guitar and the sharp freshness of Audrey Tait’s beat, both of whom are on a full Franz Ferdinand album for the first time. Maybe this is a set of songs about fear. But maybe all that chat about Human Fear is superfluous. Maybe this is just a set of bangers from an era-defining band continuing their unquestionably living legacy. Is that something to be afraid of? Living a life awake. There is nothing that makes you feel more awake than The Human Fear.
Wiz Khalifa
VIP1 – Wiz Khalifa Meet & Greet Experience Package Includes: – One (1) General Admission -OR- Premium Balcony Event Ticket – Meet & Greet and Photo Opportunity with Wiz Khalifa – One (1) Signed Polaroid Photo Wiz Khalifa – One (1) Commemorative VIP Laminate – One (1) Exclusive Wiz Khalifa Merch Item – First Access Merch Shopping (Where Applicable) – Venue First Entry (Where Applicable) – On Site VIP Host VIP2 – Wiz Khalifa VIP Merch Package* Package Includes: – One (1) General Admission -OR- Premium Balcony Event Ticket – One (1) Commemorative VIP Laminate – One (1) Exclusive Wiz Khalifa Merch Item – First Access Merch Shopping (Where Applicable) – Venue First Entry (Where Applicable) – On Site VIP Host *PLEASE NOTE: THIS VIP PACKAGE DOES NOT INCLUDE A MEET & GREET. THERE IS NO ARTIST INVOLVEMENT WITH THIS PACKAGE. Multi-platinum selling, GRAMMY® and Golden Globe nominated recording artist Wiz Khalifa burst onto the scene with the release of his first major label debut album, ROLLING PAPERS in 2011. ROLLING PAPERS spawned the hugely successful hits “Black and Yellow,” “Roll Up,” and “No Sleep” and gave Wiz the platform to win the award for “Best New Artist” at the 2011 BET Awards and “Top New Artist” at the 2012 Billboard Music Awards. “Black and Yellow” also earned him his first two GRAMMY nods for “Best Rap Performance” and “Best Rap Song”. As a follow up to ROLLING PAPERS, Wiz Released O.N.I.F.C. in 2012. His third studio album released in 2014, BLACC HOLLYWOOD, debuted at #1 on Billboard’s Top 200 album chart and included the hit single “We DemBoyz.” Soon after, Wiz’s track, “See You Again,” off the FURIOUS 7 soundtrack, catapulted to the top of the charts across 95 countries and earned him a Golden Globes nomination for “Best Original Song”. Wiz released his album, KHALIFA, in February 2016 as a thank you to fans which included the tracks “Bake Sale” featuring Travis Scott and “Elevated.” On April 20th, 2017, to celebrate 4/20, Wiz launched his mobile app, Wiz Khalifa’s Weed Farm, which has garnered over 10.1 million downloads and is currently being played in over eight countries and six languages. In February 2018, Wiz partnered with Sovereign Brands to create McQueen and the Violet Fog, an Award winning gin and rated by the NY Times as the “Best Gin”. Wiz released his project, The Saga of Wiz Khalifa, which was followed by his critically acclaimed collaborative album, FULL COURT PRESS, with Girl Talk, Big K.R.I.T., and Smoke DZA. In July 2022, Wiz released his full-length solo album MULTIVERSE, to rave reviews. Wiz had a massive 2023 with the release of four new mixtapes; Star Power Mixtape, See Ya Mixtape, Khali Sober Mixtape and Decisions Mixtape. In addition, Wiz released four singles; “Don’t Text Don’t Call”, “Peace and Love”, “You” feat. Ty Dolla $ign, and “Hype Me Up”. Last spring, Wiz made his Stagecoach Music Festival Debut and will be releasing his new album, KUSH + ORANGE JUICE 2 on April 18th.
Braxton Keith
With a sound and style honed in the honky tonks of Texas and beyond, Braxton Keith is part of a new generation of country singer-songwriter – one leading a revival of its core creative tenants. Featuring an earnest love of the ‘80s country aesthetic – and all but addicted to the rush of the stage – Keith has spent the last few years of life as a proud road dog, schooling new fans of the timeless power of a revved up band and rich organic twang. But while his what-you-see-is-what-you-get approach remains firmly rooted in tradition, that doesn’t mean he’s staying put. This Warner Music Nashville newcomer lives one state line at a time. “I love the honky tonk country twang and I wouldn’t trade it for anything,” the rising star explains. “But honestly, I’m just thinking about getting up and playing another show. This is just the beginning. This is where the hard work starts.” A proud Texas native who these days splits time between San Antonio and Nashville, Keith was born in Midland, Texas, steeped in country mystique. Learning to play piano from his grandmother – a woman who loved the Cadillac cool of stars like Porter Wagoner – he grew up singing, drawn like a magnet to the sonic storytelling of gritty tunes like “The Carroll County Accident” (an all-time family favorite). Diving deep into the pure-country form, Keith picked up a guitar and soon had a taste for hard twang and tales of the heart, writing his own classically-inspired songs in a grungy, cluttered garage. He never took it seriously until college, when a friend convinced the unknown-but-obvious talent to record one – just so he’d have something to share with his future kids. Leaving school behind to earn his place in Texas’ vibrant live-music scene, Keith and a band of brothers have now been touring nonstop since 2020, racking up untold miles and hundreds of floorboard-shaking shows. Blending throwback-tonk with a sharp, barbed-wire vocal recalling stars like Tracy Lawrence (plus a little borderland buzz of San Antonio Spanish influence), Keith became a regular face in venues all across his home state, and then looked beyond. Relentless nationwide touring and a series of self-released singles and EPs have helped build a solid social media following. He arrived in Nashville for the first time in 2021, and has since been fine- tuning his natural songwriting style – timeless tunes of love, loss and life steeped in the energy and attitude of a Texan dancehall, but made for a wider audience. Featured on taste-making playlists like Spotify’s New Boots and Breakout Country, Keith’s 2024 single “Cozy” leads the way for a new chapter, highlighting the rising star’s fresh take on a classic style. A silky-smooth two-step with an unmistakable vocal tone, the clever, co-written message of warning for a romantic rival sets Keith apart from the pack. More new music is planned for 2025 release, as Keith continues exploring the contours of a uniquely country sound and style. Merging past and present with the timeless edge of a band-leading troubadour, he’ll stay on the road, too, crossing time zones like he’s gliding across a honky tonk floor. “The touring never stops – especially for an artist like me,” he admits. “I hope people have a damn good time when they come out, and I hope the show was great. And if they pick up the record, I hope they get a taste of that.”
The Backseat Lovers
The Backseat Lovers are an indie rock band from Salt Lake City, Utah consisting of Joshua Harmon, Jonas Swanson, KJ Ward, & Juice Welch. Since their formation in 2018, the band has amassed over 800 million combined global streams and sold over 200,000 tickets. Their 2023 World Tour found them playing their largest venues to date across North America, the UK, EU and Australia. The band will be bringing new music to their electric live shows as well as fan favorites off of their sophomore album Waiting to Spill which is the follow-up to the group’s acclaimed 2019 full-length debut, When We Were Friends, featuring the top 20 Alternative hit “Kilby Girl.
The Backseat Lovers
The Backseat Lovers are an indie rock band from Salt Lake City, Utah consisting of Joshua Harmon, Jonas Swanson, KJ Ward, & Juice Welch. Since their formation in 2018, the band has amassed over 800 million combined global streams and sold over 200,000 tickets. Their 2023 World Tour found them playing their largest venues to date across North America, the UK, EU and Australia. The band will be bringing new music to their electric live shows as well as fan favorites off of their sophomore album Waiting to Spill which is the follow-up to the group’s acclaimed 2019 full-length debut, When We Were Friends, featuring the top 20 Alternative hit “Kilby Girl.
St. Paul & The Broken Bones
Founded in Birmingham, Alabama in 2011, St. Paul & the Broken Bones consists of Paul Janeway (vocals), Jesse Phillips (bass), Browan Lollar (guitar), Kevin Leon (drums), Al Gamble (keyboards), Allen Branstetter (trumpet), Chad Fisher (trombone), and Amari Ansari (saxophone). The eight-piece ensemble burst into the world with their 2014 debut Half the City, establishing a sound that quickly became a calling card and landing the band a slew of major festivals including Lollapalooza, Coachella and Glastonbury. Critical praise from The New York Times, Rolling Stone, SPIN and NPRfollowed, leading to shared stages with some of the world’s biggest artists—Elton John and The Rolling Stones among them—and launching an impressive run of headlining tours behind what Esquire touted as a “potent live show that knocks audiences on their ass.” The group has continued to expand their sound with every record, branching out well beyond old-school soul into sleek summertime funk and classic disco on albums like 2018’s Young Sick Camellia. Their forthcoming LP, Angels In Science Fiction, stretches their limbs further afield, building on the shadowy psychedelia and intricate, experimental R&B of 2022’s The Alien Coast.
ANDY GRAMMER – MONSTER TOUR
You might be surprised Andy Grammer called his new album Monster. He was too. Long known as one of the most optimistic bright lights in the pop singer-songwriter sphere, Grammer found himself fighting demons and finding new corners of himself, places he hadn’t wanted to venture before. “Being happy, anger is my vulnerability,” he says. “I didn’t know how to deal with getting in touch with anger. I just pretended it wasn’t there.” Grammer embarked on a long mental health journey that mirrored an exploratory five-year interim between albums which, of course, happened to coincide with a particularly tumultuous five years for all of us. After everything, Monster, arriving October 4, became a document of someone walking through a fire they never wanted to even look at, and what happens when they emerge on the other side. In the half decade since 2019’s Naive, Grammer lived a lot of life. There were heart-bursting highs, like welcoming his second child, and harrowing trials, including the rupture of an important relationship. During the bleak pandemic years, he sought therapy for the first time, and began realizing there were all kinds emotions he was just beginning to process for the first time. Originally, Grammer experimented with capturing an era dynamic with both struggle and growth in smaller snapshots: A host of steady singles across 2020-2023, as well as 2022’s The Art Of Joy EP. Back then, Grammer planned to collect the singles alongside a few new songs for his fifth album. Instead, he picked up a mandolin. Grammer wasn’t intending to make an album built around mandolin, but it happened. He wrote one song called “Bigger Man,” the genesis and skeleton key to what became Monster. It was an uncustomary track for him: grappling with anger, but striving to remain bigger than the darker sides of that emotion. Suddenly a new album began pouring out of Grammer. The folk pedigree of the mandolin proved inspiring. “There’s something about Americana and the twang that felt real to me when singing about struggle,” he explains. Grammer struck a careful balance on Monster: He laid it all out there lyrically, but it’s not as if Monster is uncharacteristically heavy in aesthetic. Complex feelings were filtered through rousing instrumentals, reflective ballads and rejuvenating jams alike. Across the album, Grammer takes on a spectrum of human experience — the mandolin rippling alongside him, like old wisdom surfacing to lead him to some kind of answer. Now 40, Grammer’s seen his fair share of real shit, and the songs on Monster capture it all — the ugly and the beautiful sitting alongside one another, each making no sense without its counterpart. From the hurt and confusion of the album’s opening, these songs trace Grammer’s process of re-centering himself with what really matters in life before concluding with “Friends And Family.” Grammer sings of all the wild turns his life has taken, but decides “It all means nothing without friends and family.” It’s a portrait of a man who has wrestled with parts of himself, and found what’s really important.
Our Last Night – The FINAL TOUR
Our Last Night was formed in 2004 by brothers Matt and Trevor Wentworth along with childhood friend Tim Molloy. Combining huge melodic choruses, intense breakdowns, and wide ranging vocals they have created their own brand of post-hardcore. Lyrically the band strive to create a message of hope throughout all of their records. With no label and a massive fan base Our Last Night’s DIY approach of self-producing their albums and music videos has become a model for those seeking to make a living doing what they love. Their unique sound and ability to create rock solid covers of todays hits has solidified their success while launching their original music into new realms. Don’t miss them on their 2025 North American Tour – The Double Life Tour !