Best of Both Worlds Rave
THIS PERFORMANCE IS AGES 18+ A 20-Year Hannah Montana Nostalgia Celebration This is a night for the generation that grew up on it. We’re bringing together the biggest moments from Hannah Montana and Miley Cyrus into one nonstop nostalgia experience — celebrating the music, the memories, and the songs that defined a generation. Expect Hannah Montana and Miley Cyrus hits all night long, from Best of Both Worlds and Nobody’s Perfect to Party in the USA, We Can’t Stop, and more — all in a packed room full of people who know every word. Throughout the night, we’ll move between eras, from classic Hannah Montana to iconic Miley, with nonstop sing-alongs, throwback moments, and a dancefloor that stays full from start to finish. Whether you grew up on Disney Channel or became a fan later, this is your chance to relive it all in one place — louder, more fun, and surrounded by a crowd that gets it. Dress like your favorite era of Hannah or Miley — from Disney Channel glam to Bangerz chaos — or just come ready to sing every word. Bring your crew and get ready for a night of pure nostalgia. **This event is not affiliated with, endorsed by, or sponsored by Disney, Hannah Montana, or Miley Cyrus.**
K-POP Superstars
featuring music from Huntr/x, Katseye, Saja Boys, BTS, TXT, Jungkook, Rose, Blackpink, Fifty Fifty, and more!
Hatebreed: SUMMER SLAUGHTER TOUR 2026
Hatebreed is an American hardcore metal band from Connecticut, formed in 1994. With unflinching tenacity, the impenetrable heavy metal hardcore factory that is HATEBREED has brought forth yet another iron cast, sonic weapon with Weight Of The False Self. It comes as no surprise that their eighth, full length album is the result of the usual sweat and blood that have cemented HATEBREED’s unique niche in the world of music for over two decades. Renowned for their ability to provide an intense and cathartic release for their fans, HATEBREED challenged their writing style through this album cycle in order to produce material that is exceptionally relatable in a contemporary world flooded with overstimulation, emotional dampening, and lack of social patience. “Weight Of The False Self’ is a perfect representation of HATEBREED in 2020, a fresh onslaught of soon to be classics with all the elements that led you here since day one,” explains guitarist Frank Novinec. A metaphorical weight is carried by almost every individual in regards to their emotional construct. Our experiences shape who we become and over time, gradually produce a heavy burden that we continue to lug along. For many of us, the weight becomes so much that we struggle to get out from underneath, let alone move. It is these struggles that are translated throughout Weight Of The False Self. “Seen or unseen, everyone is carrying a burden. The music we love helps us bear the weight” proclaims vocalist Jamey Jasta. Over the course of over 20 years and 8 albums, the writing process for a band like HATEBREED has stayed safe in its roots, but still reached out and grabbed for crisp and compelling pieces of progressive sound to add to the mix. There are waves of fresh sounds while the massive foundation that houses HATEBREED remains strongly held in place. “On this album I really pushed myself; made myself rewrite things until they were better, until it clicked. I pulled myself out of that comfort zone. In the age of legacy bands having to play so many hits from their catalogue at shows, we love to hear fans request new songs when we’re playing live,” explains Jasta, “we’ve really played into our strengths with this one.” “There’s no shortage of beefy-riffs and adrenaline-fueled-drums on this record. I’m proud to say that we will consistently provide a soundtrack to which you can mosh in your living room and destroy your apartment,” details drummer Matt Byrne. Recording the album once more with the help of ZEUSS, the band experienced a sense of challenge and breakthrough that enabled them to obtain a new level of sound. After working with the band for several years, and while normally spending his time with bands that have a fairly different sound, Zeuss is able to test HATEBREED and expand their already infamous vibration. “It was really great working with Zeuss again on this one. Love the way the guitars sound,” comments guitarist Wayne Lozinak. As time goes on, the quality of production technology only seems to get better and better, creating a safe and productive nest in which albums can evolve and end up with a much cleaner sound; Weight Of The False Self brings early 2000’s era HATEBREED into the new decade. Released on November 27th, 2020 via Nuclear Blast Records, Weight Of The False Self is noted as one of HATEBREED’s strongest, and most memorable albums.
The Crane Wives – ACT III
Born of the 2010’s folk boom and now comfortably stationed in their rock and roll era, The Crane Wives epitomize the evolving landscape of indie folk. Their high-energy performances have been described as “charged with emotion and technical skill” (Blurred Culture LA), while their harmony-dense melodies support deeply resonant lyrics, exploring the vulnerable and the ugly sides of the human condition. The band has amassed over 1.3 million monthly listeners on Spotify, racking up over 150 million streams on their most popular songs and accumulating listenership from far-flung corners of the US to the UK, Australia, Germany, Brazil, Poland, Mexico, and the Philippines. Featured by Michigan Radio and NPR’s “All Songs Considered, ”theband recently released their sixth full-length studio record, Beyond Beyond Beyond, to high praise, with Glasse Factory calling the album “a testament to the band’s ability to turn personal struggles into universally relatable anthems.” Niner Times describes the new release as “angsty, haunting and gritty, ”praising its departure from the more traditional folk sound of the Crane Wives’ previous records. Since its release in Sept 2024, Beyond Beyond Beyond has accrued over 24 million streams on Spotify. The pulse of the Crane Wives is delivered by Ben Zito (bass) and Dan Rickabus (drums), creating a driving, dynamic backdrop while co-leads Emilee Petersmark and Kate Pillsbury establish expansive and gritty conversations between their electric guitars. A web of three-part harmony helps to soften the blow of their emotional candor, like a 21st century Cerberus, the hound of Hades reimagined as an emotional support animal. The Crane Wives have 6 full-length albums under their belts and have performed over 600 shows across the US, sharing stages with acts such as The Avett Brothers, Lake Street Dive, Rusted Root, The Dead South, Joseph, and many more. Brye is an indie-pop artist who captures hearts with her raw, introspective lyrics and ethereal vocals. Since stepping into the music scene in 2021, she has quickly become known for writing deeply personal songs that resonate with her fans. Whether it’s navigating body image struggles, mental health, or personal growth, Brye’s authenticity shines through in every track. Her song “LEMONS,” a collaboration with Cavetown, became a standout moment in her career, amassing over 44 million streams on Spotify. This semi-viral success helped her reach a wider audience and solidified her place in the indie-pop scene. Brye also had semi-viral moments with her tracks “Diet Culture” and “Body Back,” see here. On tour, Brye has shared stages with Addison Grace, Madilyn Mei, Leanna Firestone, and Frances Forever, building a loyal fanbase through intimate and emotional live performances. Her 2023 tour took her across the U.S. with sold-out shows in major cities like Chicago, New York, and Los Angeles. In 2025, she has continued to captivate audiences and her next show on 10/17 in NYC at Brooklyn Bowl in partnership with NEDA. With her ability to connect on a deeply personal level through her music, Brye’s fans feel like they’re not just listening to songs—they’re experiencing her journey alongside her. She’s an artist who isn’t afraid to be real, and that’s what makes her music so impactful.
Earl Sweatshirt & MIKE
Earl Sweatshirt x MIKE Early Entry VIP Package Includes: One General Admission -OR- Premium Balcony ticket Early entry into the venue Custom Earl Sweatshirt x MIKE woven beanie Limited edition tour poster Commemorative VIP laminate and lanyard Priority merchandise shopping Limited availability
Gimme Gimme Disco
If you can’t get enough of ABBA, boy do we have THE dance party for you! We are a DJ based dance party playing all your favorite ABBA tracks, plus plenty of other disco hits from the 70s & 80’s like The Bee Gees, Donna Summer, Cher, & so much more. So honey honey, take-a-chance and you’ll be dancing all night long. Grab tickets, put on your best disco attire, bring your friends, and have the best night of your life!
Wage War
Leading with an emphasis on quality in everything they do, Nevertel – Jeremy Michael (vocalist), Raul Lopez (rapper/guitarist/producer) and Alec Davis (guitarist) – have honed a distinctly modern genre-blending sound that fuses elements of hip-hop, nu-metal and alternative rock. Touting influences from established acts such as Linkin Park and Bring Me The Horizon, the group draws in listeners with riveting melodic choruses, hip-hop infused verses and bombasticEDM-style breakdowns. Now, after two albums, two EPs, and a slew of singles out in the world, Nevertel has racked up over 60 million global streams to date (and over 900K a week) while fostering an online community of over 600K social media followers. A testament of their dedication to their craft and commitment to their fans, the band has performed at festivals like Welcome To Rockville, seen radio support from SiriusXM and earned recognition across all major DSPs, with a placement on Spotify’s All New Metal, Kickass Metal, and Hard Rock playlists. “Our mission is pretty simple: to make music that saves and inspires people to make great changes in their lives.” While they pour their hearts into their work, at the core of it all, they do it for the tight-knit group of childhood best friends they once were. “If we could inspire that same 13-year-old kid we once were to follow their dreams and chase their passions then I’d say our mission is being accomplished.” — What got out of Orthodox’s A Door Left Open was a capital M Monolithic Metal record, which accomplished its goal of approximating the dread one would feel coming home to a door ajar. The lack of subgenres attached to the overarching weight doesn’t mean there weren’t influences from heavy music’s history, rather that attempting to sum it up would be a hyphenated mess as chaotic as opener “Can You Save Me?” and far less pointed and poignant than the album-ending monologue making up the middle section of closer ‘Will You Hate Me?” Between the album’s poles—start-and-stop metallic hardcore ala Converge and relative calm, almost post- metal-esque diversity (see what we mean about those hyphens?)—the Nashville/Columbusbased quintet have made nu feel new again.It’s at the apex of the densest elements of innovative subgenres like nu metal and metalcore, both which added aggression to softening metals, that Orthodox craft their own take on “The Heaviest Matter of the Universe.” Similar to peers like Knocked Loose, Harms Way and Jesus Piece, the band mutate metal’s most groovy elements into a molten alloy as scalding as it is dense. (That they’re joined by Matt McDougal, Andrew Neufeld and Brann Dailor on guest vocals only adds to the oomph.) In the case of Orthodox, call it “Dread Weight” after the track of the same name, and be prepared to be crushed—as many have through tours with the likes of The Acacia Strain, Stick To Your Guns, Boundaries, Dying Wish and more.From the floor to a massive stage, from hardcore to metal, and everything in between, Orthodox have built a name on fervent, visceral live shows. With their most blunt album, both lyrically and musically, the wrecking ball that is Orthodox is coming to shatter expectations and minds of fans of metal and hardcore alike. Their powerful alloy ensures it doesn’t matter if there was, ahem, A Door Left Open or not, with their latest album, they’ve kicked theirs off its hinges—if not turned itinto dust.
Insane Clown Posse
Insane Clown Posse is perhaps the most notorious and controversial rap duo in the history of music. Over the last 30 years, ICP rose from being scrubs on the streets of Detroit to becoming bona-fide pop culture icons and Gold and Platinum-selling recording artists. Through sheer hard work and determination, ICP has created a complete entertainment empire, including music, movies, sports entertainment (Juggalo Championship Wrestling), groundbreaking music videos, and one of America’s longest-running underground music festivals, the Gathering of the Juggalos. Far beyond a rap group, ICP has proven themselves to be a worldwide phenomenon that will never be forgotten.
Poppy
An insatiably inventive drive has fueled Poppy’s surrealistic rise through countless corners of the arts and music worlds, with each of her many projects so far revealing a different glimpse of a true visionary unconcerned with genre, unimpressed by convention, and forever defying expectations. It’s that eclecticism that has cemented Poppy’s reputation as a boundary-obliterating artist redefining culture as we know it, at every turn. From performance art provocateur, to video director, to sci-fi graphic novel author, to a globe-traveling recording artist whose songbook encompasses anything from brutal metal breakdowns and snappy ‘60s bubblegum, to trap-pop and grunge-punk, absolutely nothing has been off-limits when it comes to Poppy masterfully executing her varied artistic vision. Her 2021 GRAMMY nod for Best Metal Performance (“BLOODMONEY”) marked the first time a solo female artist had ever been nominated in the category. In 2025, Poppy earned her second GRAMMY nomination for Best Metal Performance for her collaboration with Knocked Loose on the track ‘Suffocate’. Her staggeringly chameleon-like adaptability has kept fans guessing what’s next every step of the way. And yet, each impressive and feverishly ambitious pivotmanages to sound uniquely, and singularly “Poppy”. Poppy’s last couple years have been memorable, between touring with 30 Second to Mars and Avenged Sevenfold, Baby Metal and releasing smash collaborative singles with the likes of Bad Omens (“V.A.N.”), Knocked Loose (“Suffocate”, and Baby Metal (“from me to u”). It only gets better, with the solo artist now vaulting deep into her next daring era with the release of her fifth multi-versal full-length, Negative Spaces. Negative Spaces continues the sonic adventurism of this spring’s diamond-radiant industrial anthem “new way out,” with Poppy and producer Jordan Fish (ex-Bring Me the Horizon) also mirror-balling through delicately-delivered pop (“yesterday”), full bodied screams (“have you had enough”), synth-symbiotic ‘80s retro-futurism (“crystallized”) and energy-jolted ‘00s pop-punk (“Negative Spaces”). Most recently, Poppy, Amy Lee, and Courtney LaPlante of Spiritbox.
Josiah and the Bonnevilles
Josiah Leming has paid his dues. As a teenager from East Tennessee, his devotion to music led him to hit the road, where he lived in his car and played for anyone who would listen. That took him all the way to a major record deal when he was only nineteen. When that ended, he refused to give up and became an indie artist, relying solely on the music and his undeniable gift for crafting relatable songs that led to a devoted fan base he calls the Bonnevilles. He appreciates them so much that he includes them in his artist name. “They’re the reason I’m able to make music,” he says. 2024 saw Josiah and the Bonnevilles reaching new heights, completing a headlining tour of thirty-three sold-out dates followed by a slew of international stops that proved his global following. He has become known for raw emotion and a profound connection to his audience. This newfound attention has led to much anticipation for his new album — and As Is lives up to the expectations. His tenth studio album finds him going more electric than ever before, even as he unplugs from the digital world. “I feel like a grizzled old veteran at this point,” he says, even though he is only thirty-six. “I’m desiring quiet, a work space away from the internet…I felt like it was important to pull back this last year and try to understand what’s on my heart.” What he found there resulted in an album focusing on joy, sorrow, and working-class issues that feel very of the moment in a time when so many Americans are struggling to make ends meet. Leming comes by his empathy for working people honestly. He’s one of nine siblings, born and raised in Morristown, Tennessee, right in the heart of Appalachia. He taught himself piano when he was eight and was writing songs by thirteen. As a child he was intently aware of his community and intensely proud of his people, something he thinks about even more in these trying times. “I look at my I look at my folks in East Tennessee and very few of them seem to be winning in this new world,” Leming says. “Being a regular person, working, trying your best. I think that’s something to be proud of.” His records have always been intensely personal. But on As Is he wanted to step away from being the main character and instead use vignettes to express essential truths he has learned. “I want anyone to be able to put it on and not think about me when they’re listening. I want them to be in the emotion.” Because of this he made a conscious choice to not include himself on the album cover. The songs on As Is feature Leming’s vivid sense of place, precise yet poetic lyrics, and emotion that is always longingly expressed by his vulnerable vocals. This collection is more up-tempo than most of his work, which is something Leming and Snyder strived to make happen on about half the songs. “I was thinking a lot about the energy, of having a couple songs that can amp up people at live shows,” he says. They all make for a collection of songs that take the listener full circle. “There’s all these kinds of love stories, and it walks through many variations on heartbreak, ultimately landing on home, acceptance and overcoming that hurt. I just want people to be able to see themselves in the songs.” As Is proves to be all of that, and more, a milestone for one of our most authentic and resonant artists working today.